The following is an article posted earlier this week on another blog to which I contribute, Novel Journey. I’m reproducing it here because it’s timely and I’d like to discuss the same thing here, and because I’m too lazy to re-write it:
I recently read a discussion about whether a writer should enter contests. The conclusion was a vehement No.
1 – Winning a contest doesn’t influence the decisions of agents or editors to whom you submit your work;
2 – The folks who organize and administer writing contests are only out to sell you something and/or collect the entry fee;
3 – Who’s judging these things? Chances are, they don’t write as well as you do;
4 – Better to spend your time polishing your work and submitting to a paying publisher than chasing after a useless award certificate.
Agreed, entering contests is no ticket to a publishing contract – not even (except perhaps in rare cases) if you win. And yes, some contests are designed to lure in customers for the sponsor’s critique services, training seminars, or other business offerings. But not all of them. You need to be discerning.
Judges? Well. Having been on both sides of that fence, I could tell you some stories. But I won’t.
The sad fact is, writing contests are subjective. Unlike an athlete whose race is timed, score is tallied or distance is measured, a writer isn’t judged by a non-negotiable standard. In the literary world, the only difference between barely competent and truly exceptional is the opinion of the reader. So, yeah – you could be a better writer than the judges and still get a poor score.
So why bother?
If you choose not to, I couldn’t fault you. But there are some valid reasons to play this game:
1 – A win looks nice on a resume, provided the person you’re contacting is familiar with the contest and knows it to be reputable. That is, taking first place in Uncle Ralph’s Best Children’s Story at the family reunion probably doesn’t need to be mentioned; but a Second Place finish in a Writer’s Digest contest demonstrates that you’ve got the basics under control and you might even know what you’re doing. The person you’re querying will read on.
2 – Many of these events charge a (usually nominal) fee, but they can also provide helpful feedback. Take the ACFW Genesis contest, for instance, where for $35, you get three detailed critiques. Not a bad deal.
3 – Judges. Okay, so they’re human. So are you. Get over it.
Seriously, though – at least, in my experience – the judges know their stuff and are fair-minded. You might not think they “get” your story. And maybe they don’t, particularly if they have a different philosophical viewpoint. But chances are, they see your story more clearly than you do. You’re too close to it. The judges aren’t engaged in a personal vendetta, they’re just giving their honest opinion. For whatever that’s worth.
4 – Preparing your entry for a contest gives you practice submitting and helps you hone your pitch. The more you do this, the better you’ll get at it. When you’re ready to go pro, you’ll know how to be professional.
5 – If you’ve never shown your writing to anyone but your grandma, receiving critical feedback from strangers could be good experience for you. Once you’ve been released from treatment for your depression, you might be better able to roll with the punches that will come your way in the wonderful world of publishing. If you think contests are a jungle, wait till you see the real thing.
The bottom line: There’s seldom a pot of gold at the end of the contest rainbow, but it is possible to benefit from the process. If you make your choices wisely, the experience can be a good one.