After my last post, I was asked if my upcoming trip to Tasmania will be for a writers conference, to visit a fellow writer, or what. The short answer: To visit a fellow writer. But that’s not quite accurate. So in this post, I’ll answer a bit more completely.
How many years has it been since I was the contest coordinator for the Novel Rocket blog? I don’t remember, exactly, but that’s where this story starts. I believe it was the third year of Novel Rocket’s Launch Pad contest that we added a nonfiction category, by way of experiment. We didn’t have many entries, and we never included nonfiction again. We only tried it out the one year.
One of the submissions in that category was not as polished as some, but the content was amazing, the sort of thing that makes you literally sit up and take notice, gasping, “Oh, my!” The writer’s story was riveting and had a broad appeal—which makes it marketable. I was one of the two judges, and neither of us had any doubt which of the entries should be the winner.
As contest coordinator, I contacted the contest participants to let them know if they won and to give them the judges’ critiques. When I contacted the winner of our nonfiction category, I told her that both judges thought the book had wonderful potential but was a little rough, and I recommended she try to find an editor or someone knowledgeable who could help her smooth it out.
She responded that she would love to do that, but didn’t really know anyone. However, she particularly liked the critique by one of the contest judges, and she asked if I would inquire if that judge would be interested in working with her.
That judge just happened to be me, and so I answered yes. I’d love to help you with this book!
And speaking of “just happened,” let me tell you about how she “just happened” to enter the contest in the first place:
She is the first to tell you, she is not a writer, but for quite some time, the Lord had been compelling her to write about her experiences. Originally it was all in journal form, but eventually she began to compile some of her journal entries into a book. It was a struggle for her, though, and she sought help along the way.
At one time she had contacted a writer in the US, but nothing had been decided between them as to whether or not, or how, they would work together on the project. She tells me that one evening, feeling compelled to get moving on it, she tried to find this writer’s email address but couldn’t locate it, so she did an online search for her.
Among the search results was an interview this writer had done on the Novel Rocket blog. My friend read the post but didn’t see anything there about how to contact her (which is surprising, because the Novel Rocket guests always provided that kind of information), and was just about to leave the page when the Contest tab at the top caught her eye.
Contest? What kind of contest? She clicked on it. Oh, look, there’s a nonfiction category! Let me see if I qualify. Oh, yes, my book sounds like just what they’re looking for. Now, how do I enter? Hmmm… Oh, my! The submission deadline is midnight tomorrow! So she hurried up and submitted her entry.
And that’s how this dear lady Down Under “just happened” to meet up with little old me on the other side of the planet. In the several years since all that transpired, we’ve been in frequent contact, both through emails and Skype. We’ve often talked about getting together in person, and now at last, everything’s coming together for that to happen.
And, in case you wondered, we’re still working on that book of hers. At a writer’s conference last summer, I spoke with some editors and agents about it, and they all suggested that it might be too short. Why? Because from a publisher’s point of view, it costs as much to produce a short book as it does a long one. You’ve got to pay editors, designers and formatters, etc., and you have all the same overhead as you do for a larger book. Yes, there’s a little less paper and ink in a short book, but overall, the costs amount to almost the same. However, consumers don’t like to pay the same amount for a skinny book as a thicker one. If a publisher prices a short book lower, they’ll lose money even if it sells; but if they price it higher, people won’t buy it. So publishers tend to be leery of contracting for short books.
When I told my friend that, she said she could easily expand it. And that’s what she’s been working on since then. I haven’t seen any of the additions yet, but our plan is get it all put together, polished up, and ready to publish—which I will then undertake to do on her behalf.
So now you know!