Used to be, it was a matter of pride, vanity (hence the old moniker “vanity press”), and bucks: if you wanted to see your name in print and had the money to see it happen, you paid someone to publish your book. You could be pretty sure no one would ever buy it, and it was also a good bet that if anyone ever did, they’d be sorry. The quality was notoriously bad, from the printing to the binding and usually the writing itself (because if it was worth anything, a traditional publisher would have eventually accepted it), and the cost was notoriously high. The companies producing those vanity books seldom offered editing services, and if they did, their input was minimal. I’ve heard of books being produced with missing pages, upside-down pages, and other glaring errors, with the author having to pay for a re-print if he wanted them corrected. Not good.
Traditional publication is usually defined as publication through a company that pays you to publish your book rather than the other way around. In recent years, traditional presses have been going under at an alarming rate, and at the same time, with the advent of personal computers and easy-to-use writing software, authors are churning out manuscripts like never before. The result is a raging flood of authors seeking publication in a market that’s only equipped to handle a trickle. Not good.
Enter Amazon. On one hand, we might blame this Internet behemoth for the publishing world’s bleak state, as its innovations have changed the face of the industry forever. But it must also be acknowledged that this user-friendly site has made it possible for anyone with a moderate amount of computer savvy to produce a good quality book—print, e-book, or both—for NO INVESTMENT WHATSOEVER. And to sell it online to a virtually unlimited number of buyers worldwide, paying Amazon only a small sales commission for each book sold.
Sounds like a fantasy, doesn’t it? Well, it’s not. Producing a book through CreateSpace, the publishing division of Amazon, is a bit more difficult than waving a magic wand and chanting a spell. But it’s not only possible in the real world, but practical, which is why I’m gearing up to do it this year. Twice.
A writer friend was recently going through the Valley of Despond we all go through upon having our manuscript rejected by our publisher of choice. I’ve read the book she submitted, and it’s a good one; I wouldn’t say that if it weren’t true. From the acquisition editor’s comments, it was apparent (s)he didn’t “get” the story. Since it’s nothing unusual or complicated, the editor was probably too hurried to take the time to see what it was all about. (See my statement above about the glut of authors vying for the small number of traditional publishing slots.) Understanding that, though, doesn’t make the rejection hurt any less.
I have a great deal more experience trying to get published than succeeding at it. But I’ve been traveling through the writing world long enough and rubbing shoulders with enough successful authors to have learned a few things. Based on that experience, I offered my friend some words of wisdom. Okay, maybe the words aren’t all that wise, but I thought I’d share them with you all here on Ys Words anyway. There’s nothing new or startling in the list below, but here’s more or less what I told her:
1 – Everyone has his own ideas of what’s good, what he likes, what he doesn’t like. Just because someone in high places doesn’t happen to like your story, that doesn’t mean it’s not good.
2 – Every writer thinks she’s the cat’s pajamas, that her writing is worthwhile and meaningful, and if someone doesn’t understand it, they’re missing the boat. Even if her writing truly stinks.
3 – No writer is in a good position to judge his own writing honestly. See above.
4 – The writing professionals see a lot of garbage and can recognize quality when they see it; if they find fault in it, chances are it’s not very good.
5 – The writing professionals see a lot of garbage, and every time they see a proposal, they expect it to be more of the same. They take a quick look, and if nothing pops out as being exceptional, they make a snap judgment as to the whole thing.
6 – At one point, after a certain number of rejections, every good writer thinks he’s been kidding himself and can’t really write after all. He’s wrong.
7 – At one point, after a certain number of rejections, every lousy writer thinks he’s been kidding himself and can’t really write after all. He’s right.
8 – Remember #s 2 and 3 above? We all need outside feedback from people who know something, not just people who know and love us.
9 – Caveat to the above: see Point #1. Don’t take anyone’s opinion too seriously; nobody’s God but God.
10 – The one who quits is finished. There will be no more chances for the writer who won’t take them.
11 – Being traditionally published is better than self-publishing. Anyone can self-publish, but being traditionally published is validation that you actually deserve to be published.
12 – Self-publishing is better because you have complete control. You can write what’s on your heart in your own unique style and not worry about having to please a publisher. Moreover, instead of getting a small royalty from the publisher, you keep the bulk of the earnings and give a small royalty to CreateSpace.
13 – Traditionally published books are more prestigious and are overall better quality than self-published works (except for the self-published books that are better quality than some of the traditionally-published ones).
14 – Traditional publication is a great learning experience. But now that it’s becoming easier and more profitable, self-publishing is a good option for those books that are not quite mainstream.
I didn’t tell her this next one, because she’s been around the block enough that she didn’t need me to. However, I’ll add one more point for these purposes:
15 – Generally speaking, writing is not a money-making proposition no matter how you do it. In both cases, the hardest part is selling the book once it’s produced. In both cases, the author who makes millions at it is the exception, not the rule. Write only because you can’t not write, not because you need the income.